On Rock, Chuck Klosterman
On Rock, originally part of Klosterman’s IV collection, serves as a philosophical meditation on the mythology of the icon and the cultural weight of rock music. Klosterman treats the genre not just as sound, but as a rigid social concept that dictates how we perceive rebellion, talent, and ‘cool.’ He examines the paradox of the rock star: an individual who is celebrated for their supposed independence, yet is entirely defined by the collective expectations of their audience.
IV, Chuck Klosterman
In IV, Chuck Klosterman’s essay’s form the early 200s that were in Esquire and Spin, captures this time period as an era where he weaponized nostalgia to make sense of a fragmenting cultural landscape. During this period, the transition from analog to digital was accelerating, and Klosterman’s essays reflect his clinging to the physicality of his past while navigating the new, hyper-connected reality of the internet. His nostalgia wasn't just a longing for the past; it was a
The Anthony Bourdain Reader, Anthony Bourdain
I found this to be a meditation on sensory experience and the human condition. Some of the work here, seen for the first time (including his last unpublished piece before he killed himself), is a collection that mirrors the existentialist pursuit of authenticity. Bourdain’s prose functions as a rejection of the curated, sanitized travelogue in favor of the raw and often uncomfortable truth. Through his eyes, food is not merely sustenance but a catalyst for empathy. This was h
Far North, Marcel Theroux
One of the finest fiction books I’ve read in a while. Theroux’s Far North is a masterclass in literary craftsmanship. A novel that feels both intimate and epic, desolate and deeply human. The book’s structure unfolds with patient precision, each layer revealing something new about survival, isolation, and moral endurance in a post-apocalyptic Arctic landscape. Theroux’s prose is spare yet poetic, mirroring the stark beauty of his setting. Every sentence feels considered, pare
The Road to Tender Hearts, Annie Hartnett
Hartnett’s book is an exploration of grief that manages to be both a bit sad and a bit funny. Hartnett can create a world where the surreal feels domestic. Her characters are often outcasts dealing with heavy loss, yet they are rendered with deep empathy so that their quirks never feel like caricatures. The prose is sharp and imaginative, turning a road trip into a human connection. It’s a strange blanket for anyone who has ever felt misplaced by their own mourning. The novel
We’ll Be Here For the Rest of Our Lives, Paul Shaffer
What the hell is some lounge, summer read doing in my March? It’s a no-homework read. This isn't a book where you need to take notes or ponder the human condition; instead, it’s a romp through the golden eras of Saturday Night Live and Late Night with David Letterman as lived by Shaffer. Shaffer writes exactly how he speaks… energy, a lot of "hip" lingo (which doesn’t sound too hip to me whatever the hell that means), and an endless stream of "you won't believe who I ran into
You are Here, Mike Nicholls
It’s an adult coming-of-age genre, blending comedy with a sense of melancholy. The story is about Marnie and Michael, two lonely souls nudged together by a mutual friend for a multi-day trek across the English countryside. Nicholls is good at capturing the friction of early middle age for normal people, the quiet acceptance of solitude, lingering fear of being too late for a fresh start. I don’t get that, though I’ve heard it from many people my age whom I speak with. As the
Flesh, David Szalay
The Booker Prize winner for 2025. Flesh follows a Hungarian bodyguard, István, whose physical presence opens doors into the lives of Europe’s wealthy elite as he drifts through relationships shaped by desire, power, and status. It’s an unsentimental meditation on embodiment, power, and the quiet humiliations that shape a man’s life. The novel follows István, a Hungarian laborer as he moves through the shifting landscapes of post–Cold War Europe. Szalay’s prose is almost clin
Football, Chuck Klosterman
His just-released book on Football. This one is not a favorite of mine with Klosterman. Perhaps it’s because I don’t watch football of any kind anymore due to the fact that it’s all about money as opposed to teamwork, the town, and the audience watching it. Klosterman once again provides his trademark ability to treat Football not as a game, but as a massive overall object that explains the American DNA. He argues that football is the ultimate television product… a perfect s
The Land in Winter, Andrew Miller
The Land in Winter centers on two women: quiet, observant Ada and the more impulsive Irene, whose lives intersect during a harsh English winter that mirrors their emotional isolation. As they navigate love, secrecy, and social constraint, each is forced to confront the limits of duty and desire in a society slow to forgive female independence. I think the novel uses winter not merely as a backdrop but as a philosophical condition…a season that strips away illusion and leaves
